Zero distortion.
The ultimate 14-24mm
wide-aperture zoom lens.
Setting a new standard for excellence
in ultra-wide-angle lenses
Leveraging major manufacturing advances at the Aizu factory, SIGMA is now producing ultra-high-precision molded glass aspherical lens elements as large as φ80mm and incorporating them in new products. This premier optical technology promises to set a new standard for excellence in ultra-wide-angle lenses.
For the Art line, SIGMA began development simultaneously of two ultra-wide-angle lenses offering the key focal length of 14mm: one prime, and one zoom. In 2017, the company launched the 14mm F1.8 DG HSM | Art as the ultimate ultra-wide-angle prime lens. This lens offers outstanding image quality in combination with F1.8 brightness.
Now SIGMA is introducing the 14-24mm F2.8 DG HSM | Art as the ultimate ultra-wide-angle zoom. While minimizing distortion, this lens offers outstanding F2.8 brightness throughout the zoom range and delivers top-level image quality at every focal length and every shooting distance. For these reasons, it is the definitive large-diameter ultra-wide-angle zoom lens.
Aspherical lens elements used for
SIGMA 18-35mm F1.8 DC HSM | Art (left) and
SIGMA 14-24mm F2.8 DG HSM | Art (right).
Features
Outstanding Art line image quality
Designed to team up with 50-megapixel-plus cameras
- FLD glass
- SLD glass
- Aspherical lens
Designed to team up with 50-megapixel-plus cameras and offer top-level optical performance throughout the zoom range, the 14-24mm F2.8 DG HSM | Art incorporates three FLD glass elements, three SLD glass elements, and three aspherical lens elements, including one large-diameter aspherical element. Effective distribution of these high-refractive-index glass elements further enhances the corrective effect of the FLD and SLD glass. This optical system minimizes transverse chromatic aberration and other optical aberrations, resulting in outstanding high-resolution image quality.
The first element in the optical system is a large-diameter aspherical lens. Optimizing the power distribution of this and the other lens elements minimizes distortion to 1% or lower.* As a result, points of light appear as points without streaking from the center of the image to the edge, and the light volume is also abundant throughout the frame. In addition, simulations performed from the design stage onward have helped minimize flare and ghosting. In combination, these technologies ensure excellent ultra-wide-angle performance.
* At infinity focus
Distortion
Vignetting
| F2.8 |
|
|---|---|
| F5.6 |
|
| F11 |
|
Exclusive low-dispersion glass
The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as “secondary spectrum” may still remain. To minimize this secondary spectrum, which can be a serious issue with conventional lenses, SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD (“F” Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimization of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.
Designed to minimize flare and ghosting
From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions.
Compatible with Canon Lens Aberration Correction*
The Canon mount lens is compatible with the Canon Lens Aberration Correction function. Matching the optical characteristics of the lens, these functions perform in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more.
* Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.
Professional specifications
Allowing photographers to work in all types of weather
Like SIGMA’s Sports line lenses (Move to our Youtube page), the 14-24mm F2.8 DG HSM | Art features a highly effective dust and splash resistant structure* with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection, allowing photographers to work in all types of weather. In addition, the front of the lens is protected by a water- and oil-repellent coating that makes cleaning easy. The high-speed, high-accuracy autofocus helps photographers react in an instant to get those special shots.
* Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.
Fast AF with full-time manual focus
Full-time manual focus function allows the lens to be switched to manual focus simply by rotating the focus ring.
Note: The operation of full-time MF may vary based on mount type.
High-precision,
rugged brass bayonet mount
The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.
Rounded diaphragm
The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.
Nikon electromagnetic diaphragm mechanism included
The lens for the Nikon camera includes the electromagnetic diaphragm mechanism and is able to receive the appropriate signals from the camera body. This feature ensures precision diaphragm control and stable Auto Exposure (AE) performance during continuous shooting.
Introducing new Front
Conversion Service
Today’s virtual reality creators favor multi-camera videography that leverages the capability of ultra-wide-angle lenses. Addressing this trend, SIGMA is offering the new Front Conversion Service (charges apply), in which SIGMA converts the petal-type hood of the 14-24mm F2.8 DG HSM | Art lens to an exclusive round component. This altered front structure allows the lens to be deployed with greater freedom in multi-camera VR videography. The new front also helps prevent the lens from interfering with other lenses or from casting a visible shadow. The use of this service has no impact on the validity of the product warranty.
ESSENTIALS
You'll find our philosophy and craftsmanship
in every product
Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Contemporary, Art, or Sports—all of which share our development philosophy and advanced manufacturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.
Specifications
14-24mm F2.8 DG HSM | Art
Lens Construction
- FLD glass
- SLD glass
- ASPHERICAL LENS
Lens Construction
Angle of View
- 114.2° - 84.1°
Number of Diaphragm Blades
Minimum Aperture
Minimum Focusing Distance
Maximum Magnification Ratio
Dimensions (Diameter × Length)
- Φ96.4mm × 135.1mm / Φ3.8in. × 5.3in.
- *The length of a lens is measured from the filter surface to its mount.
Weight
- 1,150g / 40.6oz.
Edition Number
Supplied Accessories
・Case
・COVER LENS CAP LC964-01
・REAR CAP LCR II
Performance / Data
MTF Chart
Diffraction MTF
Geometrical MTF
| Spatial frequency | S:Sagittal Line | M:Meridional Line |
|---|---|---|
| 10lp/mm |
|
|
| 30lp/mm |
|
Distortion
Vignetting
| F2.8 |
|
|---|---|
| F5.6 |
|
| F11 |
|
| F2.8 |
|
|---|---|
| F5.6 |
|
| F11 |
|
Product Lineup
14-24mm F2.8 DG HSM | Art
-
SIGMA SA-mount
- Supplied Accessories
・Case
・COVER LENS CAP LC964-01
・REAR CAP LCR II
-
Nikon F mount
- Supplied Accessories
・Case
・COVER LENS CAP LC964-01
・REAR CAP LCR II
-
Canon EF mount
- Supplied Accessories
・Case
・COVER LENS CAP LC964-01
・REAR CAP LCR II
Support
14-24mm F2.8 DG HSM | Art
FAQ
Accessories
Supplied Accessories
COVER LENS CAP LC964-01
REAR CAP LCR Ⅱ
* The image is for SIGMA.
-
SIGMA SA-mount
-
Nikon F mount
-
Canon EF mount
Separately Sold Accessories
REAR FILTER HOLDER FHR-11
The Rear Filter Holder FHR-11 is an accessory that enables photographers to use a filter sheet with the lens.
Applicable Products
SIGMA 14mm F1.8 DG HSM | Art for Canon
SIGMA 14-24mm F2.8 DG HSM | Art for Canon
* Only available for the Canon mount lens.
USB DOCK UD-01
By connecting a SIGMA Art, Contemporary, or Sports lens to a computer with the SIGMA USB DOCK, photographers can update the lens firmware and adjust focus position and other parameters.
-
SIGMA SA-mount
-
Canon EF mount
-
Nikon F mount
MOUNT CONVERTER MC-11
The SIGMA MOUNT CONVERTER MC-11 allows you to use your SIGMA SA mount and SIGMA EOS mount interchangeable lenses with the Sony E-mount camera body.
-
SIGMA SA-E
SIGMA SA-mount -
CANON EF-E
Canon EF mount
MOUNT CONVERTER MC-21
The SIGMA MOUNT CONVERTER MC-21 allows SIGMA SA mount and SIGMA’s CANON EF mount interchangeable lens owners to use their lens investment on L-Mount camera bodies.
-
SIGMA SA-L
SIGMA SA-mount -
CANON EF-L
Canon EF mount
Catalogs / Resources
Manuals / Brochures
-
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SIGMA Lens Catalogue 2022 Autumn (Brochures)
-
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14-24mm F2.8 DG HSM (Manuals)
Impressions / Samples
-
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14-24mm F2.8 DG HSM | Art Impression
And, their ultra-wide-angle zoom lens family is now joined by the SIGMA 14-24mm F2.8 DG HSM | Art. It is made to display no distortion just like the 12-24mm F4 DG HSM | Art, but is also designed to control sagittal coma flare.
-
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14-24mm F2.8 DG HSM | Art Sample photo gallery
-
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SIGMA 14-24mm F2.8 DG HSM | Art Special film “CHOICES”
Introduction
The definitive large-diameter ultra-wide-angle zoom lensー
SIGMA 14-24mm F2.8 DG HSM | Artーoffers outstanding F2.8 brightness
throughout the zoom range and delivers top-level image quality
at every focal length and every shooting distance. -
![]()
My choice, in every situation.
The Three F2.8 Zooms
The three F2.8 zooms consisting of wide,
standard and telephoto are also known as “The Big Three”. -
![]()
blur
Dad wasn’t exactly stylish, and neither were the photographs he took—at least on the surface.
But what truth did they conceal?
