A large-aperture
wide-angle F1.4 lens
that delivers groundbreaking resolution and image quality.
A true flagship of artistic expression.
Hold it in your hands and see
what it can do!
One of SIGMA's finest creations yet,
this lens sets a new benchmark for performance,
offering quality that exceeds expectations in every way.
A large-aperture wide-angle F1.4 lens with truly impressive image quality.
A true flagship of artistic expression.
SIGMA has always leveraged the most advanced optical technologies to offer photographers the highest level of lens performance. Now, SIGMA is proud to offer the first lens in an all-new product line: the 35mm F1.4 DG HSM. This wide-angle F1.4 lens delivers the highest level of brightness and beautiful bokeh effects. It offers the unique characteristics that only a large-aperture F1.4 lens can offer: shallow depth of field along with superior low-light and hand-held performance.
Features
A masterpiece large-aperture wide-angle F1.4 lens
A large-aperture lens
with minimal axial chromatic aberration
and superb peripheral resolution.
Several types of optical aberration can affect the image quality of a lens. Chromatic aberration is among the most important, and minimizing it is essential. There are two types of chromatic aberration: transverse, which can be corrected for with digital processing; and axial, which is difficult to minimize after a shot is taken. In the 35mm F1.4 DG HSM, FLD (“F” Low Dispersion) glass, which is equivalent to fluorite in its characteristics, and SLD (Special Low Dispersion) glass help optimize the power distribution of the lens. This optimization minimizes axial chromatic aberration by causing the different wavelengths of light to strike the same focus position while also minimizing transverse chromatic aberration. In addition, aspheric lenses help minimize astigmatism and field curvature. Thanks to these features, resolution is extremely high from the center to the edges of the photograph.
Lens construction
Putting a large-aperture aspheric lens first in the series of lenses makes possible a slim barrel. A single FLD glass lens, which boasts the same performance as a fluorite lens, is combined with four SLD glass lenses to minimize chromatic aberration. And optimized power distribution helps correct various types of optical aberration. These features give this F1.4 large-aperture lens truly optimal image quality.
- FLD glass
- SLD glass
- Aspherical lens
Exclusive low-dispersion glass
The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as “secondary spectrum” may still remain. To minimize this secondary spectrum, which can be a serious issue with conventional lenses, SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD (“F” Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimization of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.
High resolution
with beautiful bokeh effects
Minimal distortion combined with
beautiful bokeh effects at large-aperture settings.
The aspheric lens at the front of the lens series helps minimize both distortion and vignetting. The rounded diaphragm produces an attractive round bokeh effect at large-aperture settings. Optimized power distribution minimizes sagittal coma flare. Coma of point light sources near the edge of the image and axial chromatic aberration are both minimized, making the lens an excellent choice for photographing nighttime landscapes and heavenly bodies.
Distortion
Vignetting
| F1.4 |
|
|---|---|
| F2.8 |
|
| F5.6 |
|
The x-axis represents image height (distance from center of image in mm), and the y-axis represents the relative illumination at the edge of the image (with illumination at the center of the image defined as 100%). When relative illumination is low, the corners of the image appear dark, resulting in vignetting.
Rounded diaphragm
When photographing with point light sources such as electric lights or reflections on a body of water in the background, the rounded 9-blade diaphragm helps produce an attractive bokeh effect—even at large-aperture settings.
The finest in materials, usability
and functionality.
A refined, integrated design made with
the photographer in mind.
All lenses in SIGMA’s new Art line come with a hood with a high-quality rubberized connector and feature a newly designed lens cap and AF/MF switch, and are designed for intuitive use and superior functionality. Inside, HSM (hypersonic motor) delivers high AF speed and extremely quiet performance. An enhanced algorithm offers even smoother automatic focusing. Full-time manual focus override is another key feature that leaves the artistic touches in the photographer’s hands. The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens. In both the external and internal parts, the optimized use of TSC(Thermally Stable Composite), an excellent match for metal parts, further contributes to the high-precision construction of the lens.
HSM (hypersonic motor)
HSM (hypersonic motor) delivers high AF speed and extremely quiet performance.
Floating system
This system adjusts the distance between lens groups during focusing, thereby reducing the amount of lens movement required. The result is less aberration at different shooting distances. Benefits are particularly great in macro lenses because they cover a wide range of shooting distances, and in wide-angle lenses, which employ asymmetric configurations of lens elements.
TSC (Thermally Stable Composite)
A first for the industry, the barrel of the lens features a new TSC (Thermally Stable Composite) that offers minimal thermal shrinkage combined with exceptional hardness. It also offers 25% greater elasticity than polycarbonate. Since its thermal shrinkage is low, TSC matches well with metal parts, further contributing to the high-precision construction of the lens. TSC also makes possible slimmer forms for parts like zoom rings and scaling rings.
Flare and ghosting reduction
From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance.
High-precision,
rugged brass bayonet mount
The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.
ESSENTIALS
You'll find our philosophy and craftsmanship
in every product
Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Contemporary, Art, or Sports—all of which share our development philosophy and advanced manufacturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.
Specifications
35mm F1.4 DG HSM | Art
Lens Construction
- FLD glass
- SLD glass
- ASPHERICAL LENS
Lens Construction
13 elements in 11 groups
Angle of View
- 63.4°
Number of Diaphragm Blades
9 (Rounded diaphragm)
Minimum Aperture
F16
Minimum Focusing Distance
30cm / 11.8in
Maximum Magnification Ratio
1：5.2
Filter size
φ67mm
Dimensions (Diameter × Length)
-
SIGMA SA-Mount
φ77mm × 94.0mm / φ3.0in. × 3.7in. -
L-Mount
φ77mm × 118mm / φ3.0in. × 4.6in. - *The length of a lens is measured from the filter surface to its mount.
Weight
-
SIGMA SA-Mount
665g / 23.5oz. -
L-Mount
755g / 26.6oz.
Edition Number
A012
Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
Performance / Data
MTF Chart
| Spatial frequency | S:Sagittal Line | M:Meridional Line |
|---|---|---|
| 10lp/mm |
|
|
| 30lp/mm |
|
Distortion
Vignetting
| F1.4 |
|
|---|---|
| F2.8 |
|
| F5.6 |
|
Product Lineup
35mm F1.4 DG HSM | Art
-
SIGMA SA-mount
- Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
-
Nikon F mount
- Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
-
Canon EF mount
- Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
-
Pentax mount
- Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
-
L-Mount
- Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
-
Sony E-mount
- Supplied Accessories
・Case
・LENS HOOD LH730-03
・FRONT CAP LCF-67mm III
・REAR CAP LCR II
Support
35mm F1.4 DG HSM | Art
Accessories
Supplied Accessories
FRONT CAP LCF-67mm Ⅲ
LENS HOOD LH730-03
REAR CAP LCR Ⅱ
* The image is for SIGMA.
-
L-Mount
-
Sony E-mount
-
SIGMA SA-mount
-
Nikon F mount
-
Canon EF mount
-
Pentax mount
Separately Sold Accessories
WR CERAMIC PROTECTOR 67mm
With many applications in aerospace and other industries, glass ceramics is an extremely tough type of crystallized glass that serves as the foundation for Clear Glass Ceramics. While featuring the high transmittance required of optical devices, this advanced new material combines greater hardness than chemically strengthened glass and greater flexibility than sapphire crystal glass. These qualities make Clear Glass Ceramics the ideal material for protective lens filters.
* Thinner frame wide type.
PROTECTOR 67mm
Normal type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.
* Thinner frame wide type.
WR PROTECTOR 67mm
Water-repellent, Antistatic type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.
* Thinner frame wide type.
WR UV FILTER 67mm
UV Water-repellent, Antistatic type. UV filter prevents the bluish tone that generates when the weather is fine, by absorbing ultraviolet rays. It is effective in most situations, such as landscape, portrait and general photography on a sunny day. It is also an ideal filter for regular use as it is completely colorless so does not affect color reproduction.
* Thinner frame wide type.
WR CIRCULAR PL FILTER 67mm
PL Water-repellent, Antistatic type. Circular PL filter removes the reflection of water surface and glass windows, and increases the contrast in landscape photography.
* Thinner frame wide type.
USB DOCK UD-01
By connecting a SIGMA Art, Contemporary, or Sports lens to a computer with the SIGMA USB DOCK, photographers can update the lens firmware and adjust focus position and other parameters.
-
SIGMA SA-mount
-
Canon EF mount
-
Nikon F mount
-
Pentax mount
USB DOCK UD-11
Designed exclusively for the use with a SIGMA Contemporary, Art, or Sports lens and its accessories, the SIGMA USB DOCK allows users to update firmware and adjust the sensitivity of speed to the MF function* through the UD-11.
* Scope of adjustment varies depending on specifications of the individual product.
-
L-Mount
MOUNT CONVERTER MC-11
The SIGMA MOUNT CONVERTER MC-11 allows you to use your SIGMA SA mount and SIGMA EOS mount interchangeable lenses with the Sony E-mount camera body.
-
SIGMA SA-E
SIGMA SA-mount -
CANON EF-E
Canon EF mount
MOUNT CONVERTER MC-21
The SIGMA MOUNT CONVERTER MC-21 allows SIGMA SA mount and SIGMA’s CANON EF mount interchangeable lens owners to use their lens investment on L-Mount camera bodies.
-
SIGMA SA-L
SIGMA SA-mount -
CANON EF-L
Canon EF mount
Catalogs / Resources
Manuals / Brochures
-
![]()
SIGMA Lens Catalogue 2022 Autumn (Brochures)
-
![]()
35mm F1.4 DG HSM (Manuals)
Impressions / Samples
-
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-
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Sony E-mount lenses ― from the ultra-high performing Art line.
Sony E-mount lenses
―from the ultra-high performing Art line. -
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Dad wasn’t exactly stylish, and neither were the photographs he took—at least on the surface.
But what truth did they conceal?
